X-H2S
El nuevo estándar para los creadores de imagen híbridos (fotografía y video). La finalidad principal de esta cámara es capturar la vida en su máxima velocidad. La X-H2S ofrece prestaciones técnicas sin precedentes en el mercado que te permitirán capturar y crear sin ningún límite.
¡Oferta!
X-H2S
$ 9.699.000
El nuevo estándar para los creadores de imagen híbridos (fotografía y video). La finalidad principal de esta cámara es capturar la vida en su máxima velocidad. La X-H2S ofrece prestaciones técnicas sin precedentes en el mercado que te permitirán capturar y crear sin ningún límite.
1 disponibles
Características
Sensor de 26MP apilado BSI
La pieza central de esta cámara es el sensor apilado (stacked). Un sensor con estas características no sólo tiene efecto en la resolución de la imagen final, su construcción permite tener un rendimiento de autofoco, rolling shutter, disparo en ráfaga y resolución de video muy superior a todo lo que se había hecho previamente.
Características
Rendimiento de autofoco sin precedentes
«Es imposible probar las capacidades de autofoco de esta cámara y no estar sorprendido. El desarrollo de inteligencia artifical permite un seguimiento extremadamente rápido y sobretodo muy fiable.
Dentro de los nuevos modos de enfoque podrás escoger: Autofoco de seguimiento de aves, animales, automóviles, motocicletas, bicicletas, aviones y trenes. Además del seguimiento de rostros y ojos humanos. »
Dentro de los nuevos modos de enfoque podrás escoger: Autofoco de seguimiento de aves, animales, automóviles, motocicletas, bicicletas, aviones y trenes. Además del seguimiento de rostros y ojos humanos. »
Características
X-Processor 5
Acompañando el desarrollo del nuevo sensor, nuestro procesador X-Processor 5 de última generación permite manejar información y procesar imágenes a toda velocidad para no tener ningún límite de creación.
Características
Video en 6K
La X-H2S tiene capacidad de capturar videos en resolución de 6.2K a velocidad de 30P. Adicionalmente tiene capacidad de capturar video en resolución de 4K a velocidad de 120P.
Características
Estabilizador de imagen IBIS de 7 pasos
Con un estabilizador de imagen con estas características, puedes perfectamente hacer tomas de video y fotografía a mano alzada sin necesidad de un trípode o gimbal externo. Una nueva excusa para explotar tu creatividad y crear imágenes desde ángulos y en situaciones demandantes.
Características
Resistencia al clima
La X-H2S te puede acompañar a todas partes y es así. Los sellamientos de la X-H2S evitan la entrada de agua, polvo y arena en cantidades moderadas para que puedas crear imágenes en cualquier escenario.
Galería
Ver todas las especificaciones
| Model name | FUJIFILM X-H2S | ||||||||
| Lens Mount | FUJIFILM X mount | ||||||||
| Image sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 5 HS with primary color filter | ||||||||
| Number of effective pixels | 26.16 millions pixels | ||||||||
| Sensor Cleaning System | Ultra Sonic Vibration | ||||||||
| Image Processing Engine | X-Processor 5 | ||||||||
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) | ||||||||
| *Please check Compatibilityfor more detail. | |||||||||
| *Please check the list of the operation confirmed CFexpress Type B Card | |||||||||
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) | |||||||
| JPEG | Exif Ver.2.32*1 | ||||||||
| HEIF | 4:2:2 10bit | ||||||||
| RAW | 14bit RAW (RAF original format) | ||||||||
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | ||||||||
| Number of recorded pixels | ［L］ | 〈3:2〉 6240 x 4160 〈16:9〉 6240 x 3512 〈1:1〉 4160 x 4160 | |||||||
| ［M］ | 〈3:2〉 4416 x 2944 〈16:9〉 4416 x 2488 〈1:1〉 2944 x 2944 | ||||||||
| ［S］ | 〈3:2〉 3120 x 2080 〈16:9〉 3120 x 1760 〈1:1〉 2080 x 2080 | ||||||||
| Panorama | ［L］ | 〈vertical〉 9600 x 2160 〈Horizontal〉 9600 x 1440 | |||||||
| ［M］ | 〈vertical〉 6400 x 2160 〈Horizontal〉 6400 x 1440 | ||||||||
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 /ISO160 – 12800 (1/3 step) | |||||||
| Extended Output: ISO80 / ISO100 / ISO125 / ISO25600 / ISO51200 | |||||||||
| Movie | Standard Output: AUTO / ISO160 – 12800 (1/3 step) | ||||||||
| Extended Output: ISO25600 | |||||||||
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | ||||||||
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | ||||||||
| Exposure compensation | Still | -5.0EV – +5.0EV 1/3EV step | |||||||
| Movie | -2.0EV – +2.0EV 1/3EV step | ||||||||
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation | |||||||
| Compensation Effect | 7.0 stops | ||||||||
| *based on CIPA standard | |||||||||
| *Pitch/yaw shake only | |||||||||
| *With XF35mmF1.4 R lens mounted | |||||||||
| Digital Image Stabilization | Yes (movie mode only) | ||||||||
| IS MODE BOOST | Yes (movie mode only) | ||||||||
| Shutter type | Focal Plane Shutter | ||||||||
| Shutter speed | Mechanical shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. | |||||||
| S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |||||||||
| Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. | ||||||||
| S/M mode: 15min. to 1/32000sec. Bulb: 1sec. Fixed | |||||||||
| Electronic front curtain shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. | ||||||||
| S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |||||||||
| Mechanical + Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. | ||||||||
| S/M mode: 15min. to 1/32000sec. Bulb: up to 60min. | |||||||||
| *Mechanical shutter works until 1/8000sec. | |||||||||
| E-front + Mechanical shutter | P mode: 4sec. to 1/8000sec. A mode: 30sec. to 1/8000sec. | ||||||||
| S/M mode: 15min. to 1/8000sec. Bulb: up to 60min. | |||||||||
| *Electronic front curtain shutter works until 1/2000sec. | |||||||||
| E-front + Mechanical + Electronic shutter | P mode: 4sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. | ||||||||
| S/M mode: 15min. to 1/32000sec. Bulb: up to 60min. | |||||||||
| *Electronic front curtain shutter works until 1/2000sec, Mechanical shutter works until 1/8000sec. | |||||||||
| Movie | 6.2K: 1/8000sec. to 1/24 sec. | ||||||||
| DCI4K/4K: 1/8000sec. to 1/4 sec. | |||||||||
| FHD: 1/8000sec. to 1/4 sec. | |||||||||
| *Cannot choose slower shutter speed than framerate for some settings. | |||||||||
| Synchronized shutter speed for flash | Mechanical shutter: 1/250sec. or slower | ||||||||
| Electronic shutter: 1/125sec. or slower | |||||||||
| Continuous shooting | CH Electronic shutter Approx. 40fps (JPEG: 184 frames, Compressed RAW: 175 frames, Lossless compressed RAW: 170 frames, Uncompressed RAW: 140 frames) | ||||||||
| CH Electronic shutter Approx. 30fps (JPEG: 1000+ frames, Compressed RAW: 270 frames, Lossless compressed RAW: 250 frames, Uncompressed RAW: 180 frames) | |||||||||
| CH Electronic shutter Approx. 20fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 800 frames) | |||||||||
| CH Electronic shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000 frames) | |||||||||
| CH Mechanical shutter Approx. 15fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000 frames) | |||||||||
| CH Mechanical shutter Approx. 10fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames) | |||||||||
| CL Mechanical shutter Approx. 8.0fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames) | |||||||||
| Pre-shot Electronic shutter Approx. 40fps (While half press: 40 frames, After full press: 110 frames, Total: 150 frames) | |||||||||
| Pre-shot Electronic shutter Approx. 30fps (While half press: 30 frames, After full press: 1000+ frames) | |||||||||
| Pre-shot Electronic shutter Approx. 20fps (While half press: 20 frames, After full press: 1000+ frames) | |||||||||
| Pre-shot Electronic shutter Approx. 15fps (While half press: 15 frames, After full press: 1000+ frames) | |||||||||
| *No. of recordable frames are calculated based on CFexpress Type B card in a cold start | |||||||||
| *Recordable frames depends on recording media | |||||||||
| *Speed of continuous shooting depends on shooting environment and shooting frames | |||||||||
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames | |||||||
| *by 1/3EV step, up to ±3EV steps | |||||||||
| Filmsimulation bracketing | Any 3 types of film simulation selectable | ||||||||
| Dynamic Range Bracketing | 100% / 200% / 400% | ||||||||
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | ||||||||
| White Balance Bracketing | ±1 / ±2 / ±3 | ||||||||
| Focus Bracketing | AUTO / MANUAL | ||||||||
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | ||||||||
| HDR Mode | AUTO / 200% / 400% / 800% / 800% + | ||||||||
| Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | ||||||||
| Focus | Mode | Single AF / Continuous AF / MF | |||||||
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | ||||||||
| Low-light Performance | Contrast: -4.0EV XF50mmF1.0 attached | ||||||||
| Phase Detection: -7.0EV XF50mmF1.0 attached | |||||||||
| AF frame selection | Single point AF: 13×9 / 25×17 (Changeable size of AF frame) | ||||||||
| Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid | |||||||||
| Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) | |||||||||
| All: Yes | |||||||||
| Face/eye detection | Yes | ||||||||
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | ||||||||
| Flash | EF-X8 | Guide Number: approx. 11 (ISO200・m) / approx. 8 (ISO100・m) | |||||||
| Sync. Mode: 1st Curtain / 2nd Curtain | |||||||||
| Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF | |||||||||
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) | ||||||||
| Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF | |||||||||
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain | ||||||||
| Flash Mode: MANUAL | |||||||||
| Hot shoe | Yes (Dedicated TTL Flash compatible) | ||||||||
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 5.76 million dots | ||||||||
| Coverage of Viewing Area vs. Capturing Area: Approx. 100% | |||||||||
| Eyepoint: Approx. 24mm (from the Rear End of the Camera’s Eyepiece) | |||||||||
| Diopter Adjustment: -5 – +3m-1 | |||||||||
| Magnification: 0.80x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 | |||||||||
| Diagonal Angle of View: approx. 40° (Horizontal angle of view: approx. 32° ) | |||||||||
| Built-In Eye Sensor | |||||||||
| LCD monitor | 3.0 inch vari-angle Touch Screen Color LCD Monitor | ||||||||
| Aspect Ratio: 3:2 | |||||||||
| Dots: Approx. 1.62 million dots | |||||||||
| Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting | |||||||
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | ||||||||
| Sub LCD monitor | 1.28 inch Monochrome LCD Monitor | ||||||||
| Aspect Ratio: 1:1 | |||||||||
| Dots: 128×128-dot | |||||||||
| Movie recording | File format | MOV: | |||||||
| Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||||||||
| Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||||||||
| Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||||||||
| HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||||||||
| MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |||||||||
| MP4: | |||||||||
| MPEG-4 AVC/H.264, AAC | |||||||||
| Movie compression | All Intra / Long GOP | ||||||||
| File size | [6.2K(3:2)] 6240 x 4160 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps | ||||||||
| Frame rate | [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps | ||||||||
| Bitrate | [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps | ||||||||
| [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps | |||||||||
| [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps | |||||||||
| [DCI4K(17:9) High speed rec.] 4096 x 2160 120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) | |||||||||
| [4K(16:9) High speed rec.] 3840 x 2160 120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) | |||||||||
| [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) | |||||||||
| [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 720Mbps(recording)/360Mbps(recording)/200Mbps(recording) | |||||||||
| *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. | |||||||||
| *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. | |||||||||
| *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. | |||||||||
| *Selectable bitrate will be changed depends on the setting. | |||||||||
| *Apple ProRes codec can be only recorded to CFexpress Type B card | |||||||||
| *Bitrate for Apple ProRes codec is not selectable. | |||||||||
| *Recording time can become short depending on the temperature and/or shooting conditions | |||||||||
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | ||||||||
| Monochromatic Color | Yes | ||||||||
| Grain Effect | Roughness | STRONG, WEAK, OFF | |||||||
| Size | LARGE, SMALL | ||||||||
| Color Chrome Effect | STRONG, WEAK, OFF | ||||||||
| Color chrome Blue | STRONG, WEAK, OFF | ||||||||
| Smooth Skin Effect | |||||||||
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ | |||||||
| ISO restriction: DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more | |||||||||
| Movie | 100％ / 200％ / 400％ | ||||||||
| ISO restriction: DR100%: No limit、DR200%: ISO320 or more、DR400%: ISO640 or more | |||||||||
| White balance | Auto | White Priority / Auto / Ambience Priority | |||||||
| Custom | Custom1 – 3 | ||||||||
| Color temperature selection | 2500K – 10000K | ||||||||
| Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | ||||||||
| Clarity setting | ±5 steps | ||||||||
| Self-timer | 10sec. / 2sec. | ||||||||
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | ||||||||
| Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) | |||||||
| Encryption | WEP/WPA/WPA2 mixed mode | ||||||||
| Access mode | Infrastructure | ||||||||
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) | |||||||
| Operating frequency (Center frequency) | 2402 – 2480MHz | ||||||||
| Terminal | Digital interface | USB Type-C (USB3.2 Gen2x1) | |||||||
| HDMI output | HDMI connector (Type A) | ||||||||
| Others | ø3.5mm, stereo mini connector (Microphone) | ||||||||
| ø3.5mm, stereo mini connector (Headphone) | |||||||||
| ø2.5mm, Remote Release Connector | |||||||||
| Hot shoe | |||||||||
| Synchronized terninal | |||||||||
| Power supply | NP-W235 Li-ion battery (included) | ||||||||
| Battery life for still images*2 | Economy Mode: Approx. 720 frames | ||||||||
| Normal Mode: Approx. 580 frames | |||||||||
| *When XF35mmF1.4 R is set | |||||||||
| Actual battery life of movie capture*2 | 6.2K: Approx. 90min. (29.97p) | ||||||||
| 4K: Approx. 70min. (59.94p), Approx. 60min (120p) | |||||||||
| Full HD: Approx. 95min. (59.94p) | |||||||||
| *Face detection is set to OFF | |||||||||
| Continuance battery life of movie capture*2 | 6.2K: Approx. 120min. (29.97p) | ||||||||
| 4K: Approx. 105min. (59.94p) | |||||||||
| Full HD: Approx. 165min. (59.94p) | |||||||||
| *Face detection is set to OFF | |||||||||
| Dimensions | Width: 136.3mm | ||||||||
| Height: 92.9mm | |||||||||
| Depth: 84.6mm | |||||||||
| (Minimum Depth) 42.8mm | |||||||||
| Weight | including battery and memory card: Approx. 660g | ||||||||
| excluding battery and memory card: Approx. 579g | |||||||||
| Operation Environment | Operating Temperature | -10℃ – +40℃ | |||||||
| Operating Humidity | 10% – 80% (no condensation) | ||||||||
| Starting up period | Approx. 0.49sec. | ||||||||
| Accessories included | Li-ion battery NP-W235S | ||||||||
| AC power adapter AC-5VJ | |||||||||
| Plug adapter | |||||||||
| USB cable | |||||||||
| Shoulder strap | |||||||||
| Body cap | |||||||||
| Hot shoe cover | |||||||||
| File transmitter/vertical battery grip connector cover | |||||||||
| Memory card slot cover | |||||||||
| Sync terminal cover | |||||||||
| Cooling fan connector cover | |||||||||
| Cable protector | |||||||||
| Owner’s manual | |||||||||
| scroll | |||||||||
| *1 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing | |||||||||
| *2 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. | |||||||||
| Movie Specification | |||||||||
| Media Rec (CFexpress Type B card / SD memory card) | |||||||||
| Resolution/Aspect | Size | Frame rate | File format/Compression | Bit rate*2 | Bit depth | HDMI outupt | Crop Magnification | ||
| Resolution(Frame rate)/Sampling/Bit depth | |||||||||
| DIS ON | DIS OFF | ||||||||
| 6.2K 3:2 | 6240 x 4160 | 29.97p | ProRes 422 HQ MOV*1 | 2754Mbps(29.97p)*3 | 10bit | FHD 4:2:2 10bit*4*5 | Not | 1.0x | |
| 25.00p | possible | ||||||||
| 24.00p | |||||||||
| 23.98p | |||||||||
| ProRes 422 MOV*1 | 1840Mbps(29.97p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 1277Mbps(29.97p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV | 720Mbps | FHD 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV selected)*4*5 | Not | 1.0x | |||||
| H.265 All-Intra 4:2:0 MOV | 360Mbps | 4K 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV selected)*4*5 | possible | ||||||
| H.265 Long GOP 4:2:2 MOV | 720Mbps | FHD 4:2:2 10bit (When H.265 Long GOP 4:2:2 MOV selected)*4*5 | Not | 1.0x | |||||
| H.265 Long GOP 4:2:0 MOV | 360Mbps | 4K 4:2:2 10bit (When H.265 Long GOP 4:2:0 MOV selected)*4*5 | possible | ||||||
| 200Mbps | |||||||||
| 100Mbps | |||||||||
| 50Mbps | |||||||||
| DCI4K 17:9 | 4096 x 2160 | 59.94p | ProRes 422 HQ MOV*1 | 1877Mbps(DCI4K 59.94p)*3 | 10bit | DCI4K/4K 4:2:2 10bit | Not | 1.0x | |
| 4K 16:9 | 3840 x 2160 | 50.00p | possible | ||||||
| 29.97p | |||||||||
| 25.00p | |||||||||
| 24.00p | |||||||||
| 23.98p | |||||||||
| ProRes 422 MOV*1 | 1254Mbps(DCI4K 59.94p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 870Mbps(DCI4K 59.94p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV | 720Mbps | 1.1x | 1.0x | ||||||
| H.265 All-Intra 4:2:0 MOV | 360Mbps | ||||||||
| H.265 Long GOP 4:2:2 MOV | 720Mbps | 1.1x | 1.0x | ||||||
| H.265 Long GOP 4:2:0 MOV | 360Mbps | ||||||||
| 200Mbps | |||||||||
| 100Mbps | |||||||||
| 50Mbps | |||||||||
| H.264 All-Intra 4:2:0 MOV | 360Mbps | 8bit | DCI4K/4K 4:2:2 8bit | 1.1x | 1.0x | ||||
| H.264 Long GOP 4:2:0 MOV | 360Mbps | 1.1x | 1.0x | ||||||
| H.264 Long GOP 4:2:0 MP4 | 200Mbps | ||||||||
| 100Mbps | |||||||||
| 50Mbps | |||||||||
| FHD 17:9 | 2048 x 1080 | 59.94p | ProRes 422 HQ MOV*1 | 440Mbps(FHD16:9 59.94p)*3 | 10bit | FHD 4:2:2 10bit*5 | Not | 1.0x | |
| FHD 16:9 | 1920 x 1080 | 50.00p | possible | ||||||
| 29.97p | |||||||||
| 25.00p | |||||||||
| 24.00p | |||||||||
| 23.98p | |||||||||
| ProRes 422 MOV*1 | 294Mbps(FHD16:9 59.94p)*3 | ||||||||
| ProRes 422 LT MOV*1 | 204Mbps(FHD16:9 59.94p)*3 | ||||||||
| H.265 All-Intra 4:2:2 MOV | 720Mbps | 1.1x | 1.0x | ||||||
| H.265 All-Intra 4:2:0 MOV | 360Mbps | ||||||||
| H.265 Long GOP 4:2:2 MOV | 720Mbps | 1.1x | 1.0x | ||||||
| H.265 Long GOP 4:2:0 MOV | 360Mbps | ||||||||
| 200Mbps | |||||||||
| 100Mbps | |||||||||
| 50Mbps | |||||||||
| H.264 All-Intra 4:2:0 MOV | 360Mbps | 8bit | FHD 4:2:2 8bit*5 | 1.1x | 1.0x | ||||
| H.264 Long GOP 4:2:0 MOV | 360Mbps | 1.1x | 1.0x | ||||||
| H.264 Long GOP 4:2:0 MP4 | 200Mbps | ||||||||
| 100Mbps | |||||||||
| 50Mbps | |||||||||
| High speed | 4096 x 2160 | 120p (2x/4x/5x) | H.265 All-Intra 4:2:2 MOV | 720Mbps (when recording) | 10bit | DCI4K/4K(29.97p) 4:2:2 10bit*6 | Not | 1.29x | |
| DCI4K 17:9 | 3840 x 2160 | 100p (2x/4x) | H.265 All-Intra 4:2:0 MOV | 360Mbps (when recording) | possible | ||||
| 4K 16:9 | |||||||||
| H.265 Long GOP 4:2:0 MOV | 720Mbps (when recording) | ||||||||
| 360Mbps (when recording) | |||||||||
| 200Mbps (when recording) | |||||||||
| High speed | 2048 x 1080 | 240fps(4×/8×/10×) | H.265 All-Intra 4:2:2 MOV | 720Mbps (when recording) | 10bit | FHD(59.94p) 4:2:2 10bit*6 | Not | 240p/200p：1.38x | |
| FHD 17:9 | 1920 x 1080 | 200fps(4×/8×) | H.265 All-Intra 4:2:0 MOV | 360Mbps (when recording) | possible | 120p/100p：1.0x | |||
| FHD 16:9 | 120p (2x/4x/5x) | ||||||||
| 100p (2x/4x) | |||||||||
| H.265 Long GOP 4:2:2 MOV | 720Mbps (when recording) | ||||||||
| H.265 Long GOP 4:2:0 MOV | 360Mbps (when recording) | ||||||||
| 200Mbps (when recording) | |||||||||
| H.264 All-Intra 4:2:0 MOV | 360Mbps (when recording) | 8bit | FHD(59.94p) 4:2:2 8bit*6 | ||||||
| H.264 Long GOP 4:2:0 MOV | 360Mbps (when recording) | ||||||||
| H.264 Long GOP 4:2:0 MP4 | 200Mbps (when recording) | ||||||||
| scroll | |||||||||
| HDMI Output | |||||||||
| Resolution/Aspect | Size | Frame rate | HDMI outupt | Crop Magnification | |||||
| Resolution/Sampling/Bit depth | |||||||||
| DIS ON | DIS OFF | ||||||||
| 6.2K 3:2 | 6240 x 4160 | 29.97p | FHD 4:2:2 10bit*4*5 | Not | 1.0x | ||||
| 25.00p | possible | ||||||||
| 24.00p | |||||||||
| 23.98p | |||||||||
| DCI4K 17:9 | 4096 x 2160 | 59.94p | DCI4K/4K 4:2:2 10bit | 1.1x | 1.0x | ||||
| 4K 16:9 | 3840 x 2160 | 50.00p | |||||||
| 29.97p | |||||||||
| 25.00p | |||||||||
| 24.00p | |||||||||
| 23.98p | |||||||||
| FHD 17:9 | 2048 x 1080 | 59.94p | FHD 4:2:2 10bit | 1.1x | 1.0x | ||||
| FHD 16:9 | 1920 x 1080 | 50.00p | |||||||
| 29.97p | |||||||||
| 25.00p | |||||||||
| 24.00p | |||||||||
| 23.98p | |||||||||
| scroll | |||||||||
| HDMI Output (High speed REC HDMI ONLY） | |||||||||
| Resolution/Aspect | Size | Frame rate | HDMI outupt | Crop Magnification | |||||
| Resolution(Frame rate)/Sampling/Bit depth | |||||||||
| DIS ON | DIS OFF | ||||||||
| DCI4K 17:9 | 4096 x 2160 | 120p | 4K/DCI4K(120p/100p) 4:2:2 10bit | Not | 1.29x | ||||
| 4K 16:9 | 3840 x 2160 | 100p | possible | ||||||
| FHD 16:9 | 1920 x 1080 | 120p | FHD(120p/100p) 4:2:2 10bit | Not | 1.0x | ||||
| 100p | possible | ||||||||
| scroll | |||||||||
| HDMI RAW Output | |||||||||
| Resolution/Aspect | Size | Frame rate | Crop Magnification | ||||||
| DIS ON | DIS OFF | ||||||||
| 6.2K 3:2 | 6240 x 4160 | 29.97p | Not | 1.0x | |||||
| 25.00p | possible | ||||||||
| 24.00p | |||||||||
| 23.98p | |||||||||
| 4.8K 16:9 | 4848 x 2728 | 59.94p | Not | 1.29x | |||||
| 50.00p | possible | ||||||||
| 29.97p | |||||||||
| 25.00p | |||||||||
| 24.00p | |||||||||
| 23.98p | |||||||||
| scroll | |||||||||
| *1 ProRes codec can be recorded to only CFexpress Type B card | |||||||||
| *2 Bit rate will be changed depend on the subject | |||||||||
| *3 Bit rate for ProRes codec can not be selected | |||||||||
| *4 The resolution from HDMI output is different from selected setting | |||||||||
| *5 When the aspect ratio is not 16:9, the image is output in 16:9 with a black band. | |||||||||
| *6 The frame rate from HDMI output is different from selected setting | |||||||||