Para los amantes de la más alta resolución, riqueza de colores y un alto rango dinámico, les ofrecemos la GFX100S.
GFX100S
$ 24.649.000
Para los amantes de la más alta resolución, riquieza de colores y un alto rango dinámico, les ofrecemos la GFX100S. Un equipo que, además de su increíble sensor de 102 Megapíxeles, ofrece todas las prestaciones de autofoco, video y portabilidad de nuestros equipos más avanzados de la Serie-X.
1 disponibles
Características
102 Megapixeles / Sensor de 43.8mm x 32.9 mm
Utilizando un diseño retroiluminado que -junto con su familia de objetivos GF- optimiza la captura de luz para cada imagen en cada uno de sus 102 millones de píxeles, toda la majestuosidad de esta cámara se hace realidad una vez que los datos de la imagen pasan por el motor de imagen X-Procesador 4 de cuatro núcleos. Esto es lo que, en última instancia, proporciona la insuperable calidad de imagen y la extraordinaria reproducción del color que ahora se ha convertido en sinónimo de Fujifilm.
Características
Estabilizador de imagen de cinco ejes
Ya sea que esté persiguiendo a una pareja para encuadrar su momento perfecto o caminando a través de la naturaleza para documentar los mayores secretos de la misma, tenga la seguridad de que la GFX100S le cubrirá la espalda cuando llegue allí Su tamaño compacto y su potente estabilización de imagen en el cuerpo (IBIS) ayudarán a que las imágenes tomadas a mano sean nítidas, mientras que un algoritmo de enfoque de última generación y los píxeles del enfoque automático por detección de fase (PDAF) en todo el encuadre ofrecen un enfoque automático rápido y preciso. Confía en que nunca perderás el momento, por muy fugaz que sea.
Características
Equipo compacto y ergonómico
Con la GFX100S no hay compromisos, ni siquiera con el peso. Con un peso de sólo 900 g, es lo suficientemente compacta como para llevarla a todas partes y, gracias a su agarre seguro y a la disposición ergonómica de los botones y diales, resulta cómoda en la mano para que puedas concentrarte en hacer tus mejores imágenes
Características
Extraordinarias capacidades de video
La GFX100S no sólo es una máquina extraordinaria para los fotógrafos de imágenes fijas, sino que también ofrece captura de vídeo de calidad broadcast, lo que la convierte en una auténtica maravilla polifacética. Graba hasta 4K/30p en F-Log de 10 bits o Apple ProRes RAW de 12 bits, con una profundidad de campo increíblemente bella, para un aspecto hecho para la gran pantalla.
Características
Autofoco ágil y confiable
La GFX100S redefine lo que es posible en términos de velocidad y precisión de autoenfoque para las cámaras de gran formato. Con los píxeles de detección de fase de alta precisión en aproximadamente el 100% del fotograma, la fiable detección de cara/ojos, el seguimiento del sujeto en movimiento y las increíbles capacidades de enfoque con poca luz, esta es realmente una cámara para cualquier ocasión de enfoque.
Características
Colores inigualables
Experimenta una precisión de color sin precedentes gracias a la capacidad de la GFX100S de producir imágenes de 16 bits. El sensor de gran formato de la cámara registra cambios casi imperceptibles en los tonos de color y ofrece imágenes increíblemente reales con hasta 281 billones de colores.
Galería
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| Model name | FUJIFILM GFX100S | |
| Lens Mount | FUJIFILM G mount | |
| Image sensor | 43.8mm×32.9mm Bayer array with primary color filter | |
| Number of effective pixels | 102 million pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90*1 | |
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32 *2 | |
| RAW | 16bit / 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］〈4:3〉 11648×8736 〈3:2〉 11648×7768 〈16:9〉 11648×6552 〈1:1〉 8736×8736 | |
| 〈65:24〉 11648×4304 〈5:4〉 10928×8736 〈7:6〉 10192×8736 | ||
| ［M］〈4:3〉 8256×6192 〈3:2〉 8256×5504 〈16:9〉 8256×4640 〈1:1〉 6192×6192 | ||
| 〈65:24〉 8256×3048 〈5:4〉 7744×6192 〈7:6〉 7232×6192 | ||
| ［S］〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992 | ||
| 〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000 | ||
| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step) |
| Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400 | ||
| Movie | Standard Output: AUTO / ISO200~12800 (1/3 step) | |
| Extended Output: ISO25600 | ||
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV~+5.0EV 1/3EV step |
| Movie | -2.0EV~+2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 6.0 stops | |
| *based on CIPA standard | ||
| *Pitch/yaw shake only | ||
| *With GF63mmF2.8 R WR lens mounted | ||
| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. |
| S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. | ||
| Electronic shutter | P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. | |
| S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. | ||
| *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | ||
| Mechanical + Electronic shutter | P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. | |
| S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. | ||
| *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | ||
| Electronic Front Curtain Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. | |
| S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. | ||
| *Electronic front curtain shutter works until 1/1250sec. | ||
| *When using the electronic front curtain shutter, the continuous shooting supports CL only | ||
| Electronic Front Curtain Shutter + Electronic Shutter | P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. | |
| S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. | ||
| *Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec. | ||
| *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | ||
| *When using the electronic front curtain shutter, the continuous shooting supports CL only | ||
| Movie | DCI4K/4K: 1/4000sec. – 1/4sec. FHD: 1/4000sec. – 1/4sec. | |
| *Cannot choose slower shutter speed than framerate with LongGOP recording. | ||
| Synchronized shutter speed for flash | 1/125sec. or slower | |
| Continuous shooting | CH Electronic shutter 2.9fps (JPEG: 64 frames, Compressed RAW: 23frames, Lossless compressed RAW: 18 frames, Uncompressed RAW: 15 frames) | |
| CH 5.0fps (JPEG: 42 frames, Compressed RAW: 16 frames, Lossless compressed RAW: 15 frames, Uncompressed RAW: 14 frames) | ||
| CL 2.0fps (JPEG: Endless, Compressed RAW: 45 frames, Lossless compressed RAW: 22 frames, Uncompressed RAW: 16 frames) | ||
| *Electronic Front Curtain Shutter support CL only. | ||
| *Recordable frames depends on recording media. | ||
| *Speed of continuous shooting depends on shooting environment and shooting frames. | ||
| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames |
| *by 1/3EV step, up to ±3EV steps | ||
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-light Performance | Contrast: -2.5EV / GF80mmF1.7 attached | |
| Phase Detection: -5.5EV / GF80mmF1.7 attached | ||
| AF frame selection | Single point AF: 13×9 / 25×17 (Changeable size of AF frame) | |
| Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid | ||
| Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) | ||
| All: Yes | ||
| Face/eye detection | Yes | |
| Flash | Sync. Mode | 1st Curtain / 2nd Curtain / AUTO FP (HSS) |
| When SHOE MOUNT FLASH is set | ||
| TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF | ||
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots | |
| Coverage of Viewing Area vs. Capturing Area: Approx. 100% | ||
| Eyepoint: Approx. 23mm (from the Rear End of the Camera’s Eyepiece) | ||
| Diopter Adjustment: -4～+2m-1 | ||
| Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 | ||
| Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° ) | ||
| Built-In Eye Sensor | ||
| LCD monitor | 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor | |
| Aspect Ratio: 4:3 | ||
| Dots: Approx. 2.36 million dots | ||
| Touch Screen Mode | Shooting Mode | AF, Focus Area, OFF, Double Tap Setting, Touch Function Setting, EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Sub LCD monitor | 1.80 inch Monochrome LCD Monitor | |
| Aspect Ratio: 4:3 | ||
| Dots: 303×230-dot | ||
| Movie recording | File format | MOV: |
| HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) | ||
| MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) | ||
| MP4: | ||
| MPEG-4 AVC/H.264, AAC | ||
| Movie compression | All Intra / Long GOP | |
| *All Intra can be used with following settings. | ||
| DCI4K/4K 29.97p/25p/24p/23.98p 400Mbps | ||
| Full HD(2048×1080) / Full HD(1920×1080) 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps | ||
| File size | [DCI4K(17:9)] 4096×2160 29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps Up to 120min. | |
| Frame rate | [4K(16:9)] 3840×2160 29.97p/25p/24p/23.98p 400Mbps/200Mbps/100Mbps Up to 120min. | |
| Bitrate | [Full HD(17:9)] 2048×1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps Up to 120min. | |
| Recording time | [Full HD(16:9)] 1920×1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps Up to 120min. | |
| *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. | ||
| *For recording movies in 400Mbps, use a SD memory card with Video Speed Class 60 or higher. | ||
| *Recording movies in 400Mbps can be done with DCI4K/4K 29.97p/25p/24p/23.98p. | ||
| *Recording time can become short depending on the temperature and/or shooting conditions. | ||
| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS | |
| ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia | ||
| Monochromatic Color | Yes | |
| Grain Effect | Roughness: STRONG, WEAK, OFF | |
| Size: LARGE, SMALL | ||
| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ |
| ISO restriction: DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more | ||
| Movie | 100％ / 200％ / 400％ | |
| ISO restriction: DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more | ||
| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 – 3 | |
| Color temperature selection | 2500K～10000K | |
| Preset | Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard | IEEE802.11b/g/n (standard wireless protocol) |
| Encryption | WEP / WPA / WPA2 mixed mode | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402〜2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen1x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) | |
| ø3.5mm, stereo mini connector (Headphone) | ||
| ø2.5mm, Remote Release Connector | ||
| Hot shoe | ||
| Synchronized terninal | ||
| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*3 | Normal Mode: Approx. 460 frames | |
| *When GF63mmF2.8 R WR is set | ||
| Actual battery life of movie capture*3 | 4K: Approx. 60min. (29.97p) | |
| Full HD: Approx. 65min. (59.94p) | ||
| *Face detection is set to OFF | ||
| Continuance battery life of movie capture | 4K: Approx. 95min. (29.97p) | |
| *3 | Full HD: Approx. 110min. (59.94p) | |
| *Face detection is set to OFF | ||
| Dimensions | Width: 150.0mm | |
| Height: 104.2mm | ||
| Depth: 87.2mm | ||
| (Minimum Depth) 44.0mm | ||
| Weight | including battery and SD memory card: Approx. 900g | |
| excluding battery and SD memory card: Approx. 821g | ||
| Operation Environment | Operating Temperature | -10°C – +40°C |
| Operating Humidity | 10% – 80% (no condensation) | |
| Starting up period | Approx. 0.5sec. | |
| Accessories included | Li-ion battery NP-W235 | |
| AC power adapter AC-5VJ | ||
| Plug adapter | ||
| USB cable | ||
| Shoulder strap | ||
| Body cap | ||
| Hot shoe cover | ||
| Cable protector | ||
| Owner’s manual | ||
| *1 Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. | ||
| *2 「Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing. | ||
| *3 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. | ||
